Posted by Celia Brogan
What writing is more homegrown BC writing than that of our students? The BCTELA Student Writing Contest is more than a great way for students to give their writing a broader audience, the published pieces, Voices Visible, is also a useful resource to show our students what their peers are writing.
BCTELA members receive a copy of Voices Visible free, and you can order additional copies to make up a lit circle/text set group, or enough for a whole class set.
BC features as a setting in many of the pieces in Voices Visible, either completely or sometimes as a juxtaposition to an immigrant’s home of origin. Students can find their home in these pieces written by their peers in a way that may be different than from pieces written by adults. Do you have back issues of Voices Visible? Try it: copy a piece or two and see what your students think, or try including a book or two in a poetry text set.
This year’s submissions are due at the end of this month. Click here for the application form and contest rules. You must be a current BCTELA member to submit your students’ work.
Posted by Celia Brogan
This evening I went to my second #ReadLocalBC event, called “An Evolving City: Writing Vancouver’s Past, Present & Future,” featuring George Bowering and Wayde Compton.
During the question period after the readings the authors were asked if writing about Vancouver was an obvious choice of setting for them in their writing, or, why did they choose to set their work in Vancouver. Their answers discussed how the choice to set writing, specifically fiction, here provides the power to address some very real and serious topics in a way that can be more powerful than setting their work elsewhere. They pointed out that readers can often feel saturated with concerns and an author’s voice can get lost in the chorus of ‘realistic writing.’ Setting fiction in our local environment allows an writer to propose a ‘what if’ scenario in a way that opens a space for readers to reflect on our current society. Readers can wonder what realities might come to pass given an event as plausible as a toxic fuel spill in Burrard Inlet.
Imagine the stories our students might write given this environmental event in Vancouver as a starting point. What might they imagine as futures for your community? Bowering and Compton suggest that by writing our stories, current and possible, we open the door for ourselves and our readers to see positive futures and to act to realize them.
*Check out the list of free #ReadLocalBC events at http://books.bc.ca/read-local-bc/. There may be one or two in your community.
posted by Celia Brogan
The Golden Spruce: A True Story of Myth, Madness and Greed by John Vaillant.
I love this book. The prose are poetic to the extent that I have used passages as prompts in an art class. The story opens with a mystery and proceeds to weave together strands of natural history, botany, political and economic history, adventure, cultural history, and social activism.
Every time I try to book talk this title I fall down some sort of rabbit hole: I can’t quite seem to ever tighten my description of the book enough and end up rambling. I could tell you that it’s the life story of an culturally important and botanically unique tree, from germination to felling, but that’s only one piece. I could tell you that it’s the story of a man named Grant Hadwin, who worked in the BC lumber industry and who suffered from a (probable) mental illness, who made headlines with his actions when he took a stand against logging practices in BC. But the book is so much more than that! I could also say that this text provides a lyrical and informative portrayal of geologic history, the history of human culture and the history of economic development of natural resources in BC (which is pretty great since that last topic can at times be a little dry). But those threads don’t constitute the whole text either. Look! It’s happening again!
Make this book one of your summer reads this year (but keep a set of post-its near by!)
posted by Celia Brogan
I realized a few years ago that I like what I have decided to call “Farm Literature.” There may be an industry name for this but I’m happy with mine. Farm Lit is, for me, a book about someone’s experience living on a farm–hobby or sustenance–or other intimate experience with the food we eat. That’s not a exhaustively vetted definition, and has been developed as I read books I holistically add to the category.
When a local angle is added to the farm/food aspect, I feel even more fulfilled. Here are three titles from my bookshelf you may want to check out:
Home: tales of a heritage farm by Anny Scoones is a collection of stories about the ten years she spent living on and restoring Glamorgan Farm. The farm is on the Saanich Peninsula, on the South end of Vancouver Island and was threatened by development when Anny bought it. She restored it and made a point of raising heritage breeds and growing heirloom vegetables, opening the workings of the farm to the community.
Wise Acres: Free-Range Reflections on the Rural Route by Michael Kluckner. Kluckner, a notable watercolourist and Vancouver historian, moved with his wife from a house in Vancouver to a hobby farm in the Fraser Valley. The book is a darkly funny chronicle of the couple’s experience adjusting to farm life, including animal husbandry.
The third title I’ll share today is a bit different. You may have heard of The 100-Mile Diet: a year of local eating by Alisa Smith and J.B. MacKinnon. The authors generated a huge amount of press when they spent a year eating only food that was grown or produced within 100 miles of their homes in Vancouver. Whereas the first two titles are a microcosm of BC food-life, sharing the day-to-day at the production end of the chain, The 100-Mile Diet shows us a broad view of the myriad aspects of the food industry in BC (and not even all of BC–how might this story differ if it was based in Smithers, or Kelowna, or Nelson?) from the consumer’s end.
Looking at local sources of food can be an inspiring way to get to know the land where we live. The people who feed us from our land are often unknown to us in the lower mainland. It’s not as anonymous in smaller communities, but time spent with our students on this topic can’t help but enrich their literacies of place.
posted by Celia Brogan
Kit Pearson has authored a number of popular novels for young and adolescent readers. Three of these are specifically set in BC and are great ways to help readers see the stories around them.
Awake and Dreaming is set primarily in Victoria and includes Pearson’s trademark element of magical realism. The magical element first enables the young protagonist to escape the difficulties in her life, but then provides the safety she needs to clearly address her troubles.
The Whole Truth and its sequel And Nothing but the Truth are historical novels set in the 1930s on a Gulf Island and Victoria, respectively. Emily Carr features as a character in the second book as Polly struggles with the trials and tribulations of growing up and going to boarding school, as well as some big family secrets.